TEZA 2015, Transmission

Response #4: Murdoch Stephens

Image: Jung Shim Krefft

I am friends with more Transitional Economic Zone of Aotearoa (TEZA) participants than not. A day in the life was more catching up with old pals than digesting new ones. It feels rude to not nod their way, but there are just so many of them to list here. This reflection is not going to be about what happened in the space on that day, but more about the atmosphere surrounding TEZA, especially in the other, air-conditioned, climate controlled parts of Porirua.

I joked with the TEZA crew on Tuesday about my scathing/scything critique-to-come. But I have no blade to apply to this project. As with a number of contemporary thinkers I want to liberate ‘criticality’ from the idea of casting judgment. Being critical might imply negativity but doing critique is a whole other thing.

Doing critique is woven into the way Mark, Sophie and the Letting Space crew have constructed TEZA. These people are not dupes who we can deploy our critique against, as if flicking on a light and welcoming them to some new understanding. Those involved with TEZA are the first to ask the critical questions: who is the art work for? What’s the role of class, race and space within the project? The TEZA crew have embarked on this project not in spite of these difficult questions but because of them: they want to participate in these discussions and don’t mind being the flint on which others’ critical knives are sharpened.

TRANSITIONAL

Out of some space. Around the corner. Over the seam. Nibbling at the edges. To something more like home.

Climate change is the big big big transition. A super-wicked problem. You think that wearing sunscreen in summer is a drag? Wait for this new mess: floods, hurricanes, storms. Water tables a-risin’.

I’m not a collapsitarian. I think we’ll mostly all survive. It’ll be one catastrophe after another. Always transitioning. No apocalypse. Crisis, crisis, softly, softly, slowly, slowly. Water tables a-risin’.

Retail spaces are being gutted and this is not going to change. Our city landscapes are fundamentally changing and there are going to be plenty of losers. These losers will be those who don’t understand the new sensitivities of the economic zones of our urban centres. We saw it in the 1980s with the expansion of the mall – every product was available in one place. The Warehouse did to small NZ retailers as Walmart did to the Mom & Pop stores of America.

The big businesses – the Warehouses and Walmarts – have survived the transition to the digital age. But only just. They offer their wares online, but it may be too little too late. TradeMe and other nimble online retailers from abroad have captured significant market shares. Online sales will expand and expand, the big box stores wont last.

When I read Reuben Friend’s analysis of the shop and business owners of Porirua’s wariness of TEZA, I read of a group of people who could feel the steady decline in the value of their assets, who had no idea about what they could do to halt it. In times like that – as the boat is sinking – we cling onto what ever seems the most stable. For those with a stake in retail property this stable thing is a phantom: the idea that the ‘downturn’ is temporary. That all it takes is a little extra effort from real estate agents and vacant commercial spaces will be filled with long-term tenants.

We’ve seen this in Wellington too, where retail is on the way out and service organisations are taking over. If a new store is to open in the CBD odds are that it’ll be there to provide food or drink.

I’ve been involved in running a community art space in central Wellington for three and a half years, in a space that all that time has remained open to be rented. Commercial clients who come in and want to rent the space almost exclusively want to set up a café or some sort of restaurant. With earthquake strengthening due, there has only been one really serious inquiry in all the years of our occupation. It is in spaces like this that the TEZA crew have honed what it means to produce good city atmospheres.

ECONOMIC

Retailers hate the Porirua climate. They want to welcome shoppers, not have them harried by wind and rain. They want doors wide open. But they don’t want leaves blowing in.

They have seen the big boxes offering total climate control. But now virtual, www space outsources the climate control. Shop from the comfort of your own home. A rainy weekend is optimal the perfect time for online sales. Sunday evening is the optimal end time for the TradeMe Auction.

TEZA emerged as a concept in 2012 based on a parody of the Special Economic Zones (SEZs) where the laws of a country are limited in a prescribed area so that business may thrive. The most formal SEZs tend to be manufacturing zones near export hubs where taxes aren’t paid and unions aren’t welcome. But there are many other forms of less formal SEZs – consider the Duty Free section of the airport, where consumers pay no tax on tobacco and alcohol.

ZONE

Porirua has North City. It is where the people are. There are scents – baking bread, perfume and disinfectant – and there is soft lighting. There’s no wind and you can park free for 240 minutes. They’re tender guests: no gang patches, no skateboarding, no photography and no list of these laws – if you don’t know how to behave you’re not welcome. It is the perfect site for those who play by unspoken rules.

Few come out onto the bricks of Cobham Court where the Porirua City Council have tried to make the atmosphere lighter by taking away the canopies. Now it is lighter but also windy. It would be safer to take the car.

Once upon a time there were city-states; fortifications. These became nation-states, built on wonky unity work (some islands are exceptions) and blurry boundaries. In each of these types of states there have been different exclusions, different ways to protect the common air. If climate change does indeed make an enemy of the atmosphere, then new fortifications will be needed. North City is a model of this kind of climate control.

But TEZA is nothing at all like a SEZ. It is a parody of those sites of privilege and exclusivity. TEZA is more like the Temporary Autonomous Zones (TAZ) chronicled in Hakim Bey’s book T.A.Z. where he offers a history of ‘pirate utopias’ – small, temporary enclaves that attempt to claim and use a space for a small period of time. As Bey writes, “The TAZ is like an uprising which does not engage directly with the State, a guerilla operation which liberates an area (of land, of time of imagination) and then dissolves itself to re-form elsewhere/elsewhen, before the State can crush it”.

For TEZA there’s no such feeling of being about to be crushed: access to the empty, shopping spaces has been negotiated for a limited period of time; the liberation in question is a gift from those who own the buildings; the guerrilla operation is the benign promise of Art.

Some shop owners understand that they are in the business of creating atmospheres – they welcome attempts to lively up the space. But others are like those libertarians who want nothing to do with collective living, imagining their responsibility ends at the front door.

TEZA does not have the technology or resources of North City. Would it be better for it? Or is there something necessarily windswept and wastrel about the project?

of AOTEAROA

By count of open doors to the atmosphere TEZA wins out over the enclosed, planned space of North City. I couldn’t even find my way out of North City – exits are bad for business, threatening to atmospheres of contentment.

If North City is the air-conditioned, domesticated future city-state then TEZA has set up in the wastelands of those banished from the city. Not everyone fits into the curated pseudo-commons of the mall.

Outside the mall are buildings that are depreciating in value. I counted five ‘dollar shops’ though a few were closed, signs left up like omens warning of quicksand: GOOD 2 U, CATCH A BARGAIN, DA DEALS, THE MIGHTY $ SHOP, 123 MART. There are some food stores, some barbers, Instant Finance.

It might not seem like a big deal to walk to these dim hutches outside North City, to navigate the wind and sun. But know that those inside North City do not want it. There are few exits – quite literally – to the North City. We can take the escalator up and down, we can walk around the building’s gentle curves. But search for an exit and you’ll soon find yourself lost. The building whispers, “why leave, why leave?” It is right: the atmosphere inside is just right.

Soft, seductive, sleepy: “Blessed are the sleepy ones for they shall soon drop off”.

When I do find the exit, I’m on the opposite side of where I thought I was. I walk down car ramps, traverse empty streets, am once more aware of the elements on my skin. Cruel exile! Oh to be back in the food court.

Well, we of the thick skin might be of the mind to say ‘its not so bad outside’ but most of the population are a long way from wanting a life that is not so bad. North City doesn’t advertise that. They advertise the best of all possible worlds.

We’re becoming accustomed to curated atmospheres. Sloterdijk asks us to think of the rules of the human zoo. Climate control will be the applied science of the 21st century. Domestication and house training await.

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TEZA 2015, Transmission

Day Four TEZA in images: Ako Ako, Sharemart, Volunteer Refinery, J.I.T, Strong Pacific Families, Hawai’i Craft, Food to Table workshop, All Good? Pop-Up shops and a rongoa session.

Images: Gabrielle McKone, Jung Shim Krefft and Amanda Joe

Tuesday was our busiest day yet, with 100s of people through the TEZA Hub. By lunchtime we were thrilled to see how we could accommodate no less than six different activities in the Hub at once, all exchanging with one another, while at the same time around the corner in Hartham Place there were another four events happening. Here’s a video of the Hub at lunchtime yesterday.

Meanwhile Ash Holwell was on his second role-swap day as part of Ako Ako, taking the role of Nick Lambert, a machine operator at wallpaper manufacturing company Aspiring Walls.

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Nick joined in with activities as an artist at the hub in the morning. Working on Tim Barlow’s lime rendering as part of Just in Time and Salad Making at lunchtime with Alicia Rich.

In the afternoon he completed his own project, installing a basketball hoop in the Lydney Place Laneway, where the young folks like to hang.

Here’s Sharemart on Tuesday morning, with our writer for the day Murdoch Stephens, and Daphne Swinton from Whanau Kotahi across the road (joining the zone for the week in the Old Flower Workshop) making a Christmas tree from pallets and fabric.

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Mark Harvey continued to work in the mall with locals.

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And Tim Barlow brought Just in Time to the Laneway setting up his lime rendering workshop with people starting to add their designs to his giant figure.

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Strong Pacific Families in Hartham Place hosted a Health Day.

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In Cobham Court Pip Adam began her lunchtime ‘Made-Up Times’ workshops inviting people to create the newspaper they want to read.

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At the hub Kawika with Korowai Aroha ran a weaving workshop, working with native plants sourced from the laneway as part of their project Mai ngā kôrero ô neherā, e hui pālua.

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Awhina Mitchell

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Bread was woven at the workshop for Simon’s Breadmakers project.

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Alicia for her salad making workshop at lunch collaborated with students from Trade and Commerce hospitality training further down the laneway. Shared lunch followed.

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As part of the Porirua People’s Library, People’s Radio has seen Access Radio in the Hub recording local stories. Here with the Columbian community involved in Sharemart. An audio archive can be found here.

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Meanwhile All Good? hair salon opened for the first time. One customer a mother of 11 had never had a professional haircut before.

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The Volunteer Refinery meanwhile moved to Pataka next to Ai Weiwei.

At 4pm The Breadmakers project held a launch at the Hub of ‘the Porirua Loaf’.

 

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After the launch Awhina Mitchell led a Rongoa session.

And the day finished with a great Creative Summit session in the evening, ‘Making Home in a New Land’, discussing our own and others migration, with speakers including visitor Aaron Packard (co-founder of 350 Aotearoa) and Moses Viliamu, fresh from getting the Tokelau exhibition next door installed.

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TEZA 2015, Transmission

Writer response #3: Rangimarie Sophie Jolley

Image: Gabrielle McKone

The Fruit of Diversity

For some strange reason, the vast and ever expanding universe that is Porirua is forever being swathed in the old brown cloak of ‘poverty, diversity and ghettoisms”. It baffles me that we live in a country which in attitude juxtaposes the affluent and the stricken, yet we seem ironically surprised when a community is able to nourish both.

Meet the new face of Porirua. His home has brick walls covered in ‘tasteful graffiti art’ or vibrant murals, a reliable public transport system to weave through ever expanding roads, the white hill of Whitby that hides behind a brown Creek of Cannon, a stinking inlet that adds a few million to his property view but robs his grandparents of the taste of home, ‘the tūturu locals’, as he calls them.

His face is clean shaven and fresh, lips curled to a smile, his eyes gleam the reflective dance of a sunny wave as it wafts on the Whittakers breeze. His shirt is stained with the grease of a pie from Waitangirua, his jeans streaked green from a childhood of skidding down hills in Titahi Bay.

This young man would be intrigued by the TEZA project. He might have taken his Aunty to Whānau Kōtahi in the Porirua CBD this week and dropped off bags of clothes. They would have stopped and chatted and discussed the developments. His eyes may have wandered across the rocks to behold a strange man… a man currently being covered in cardboard and duct tape.

He certainly wouldn’t have approached, but he would have listened and watched. He would have heard the man call “Can you give me a hand?” to the strangers walking past. He might have laughed quietly, both dismissive and admiring but appreciating the call for volunteers. His Aunty would hurry him away as the TV3 camera’s showed up, another ‘uplifting brown communities through art’ angle for the masses. Perfect shot.

That afternoon he may have called his sister, the purple haired, green eyed goddess currently of Aro Valley. Her conversation with him, his pleas for a visit and that degree in Social Economics might lead her to the TEZA Hub of a Porirua afternoon, partaking in a lunch time discussion pertaining to the struggles of living and thriving in the artistic realm.

She may have sipped on a guava/banana/acai berry smoothie as her tummy rumbled for the real taste of home and her mind reveled in the encouraging messages of the people still seemingly trapped within it. She may even have asked herself why she needed to leave… was it to be free? Her wanderings may take her along the pink pathway in Sharemart, she may have held hand sewn bags equal to the best of the Cuba boutique. ‘My instagram followers would love this!’ she’d snap, sharing the joy of rediscovering pride in her home.

After dinner with the family that night, the siblings may decide to detour on their way home, eager to participate in another of the summits to be held in the TEZA Hub: a solid serving of environmentalism on the degustation menu. They may have smirked at the constant polite references to the darker of the two as a representative of ‘the mana whenua’.

The pair may have nodded in agreement as a room full of enlightened strangers discussed the meal of every hui-ā-Iwi they had attended since birth. They may have even been relieved and proud that this conversation was happening in places other than the Marae, because they knew that these people would be listened to, when they claimed the faces of change.

Theirs may be a true reflection of the need for a TEZA project. I am confronted by the thought that communities aren’t as black and white as we might like to assume. When the roaring greens of Paekakariki met the slow waves of Elsdon we were treated to a diverse spectrum of art. Porirua should be proud of the seed it has planted and the fruit it has on display this week, if only because it depicts the true projection of its diversity.

These projects each contain unique aspects of human character and expression, regardless of social standing, race or financial distribution. Porirua is a nest of creative hives and to celebrate it as such is so refreshing, especially in the face of what I would deem to be traditionally monotonous ideals. In a hopeful country where the middle ground is white, it excites me to see Porirua utilised as the azure hub on a brilliant horizon.

Tino nui te mihi kia TEZA.

Nāku noa,

Rangimarie Sophie Jolley

 

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TEZA 2015, Transmission

Day Three TEZA Images: Ako Ako, Volunteer Refinery, All Good? Pop-Up Hair Salon, Porirua Peoples Library and the “Just In Time” Community Centre

Images: Amanda Joe, David Cook, Gabrielle McKone and Mark Amery

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Today Ash Holwell shared roles with MP for Mana Kris Faafoi, as part of his Ako Ako: A role-swapping adventureAsh shares Kris’ duties through the morning including the weekly staff teleconference, interviews on Newstalk ZB and Beach FM and visiting his parliamentary office.

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As artist for the day Kris started work on setting up a radio station for Titahi Bay at the TEZA hub.

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Meanwhile out in Hartham Place Mark Harvey started the Volunteer Refinery.

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Creative Summit’s lunchtime artist presentations included legendary Wellington artist Barry Thomas.

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Here’s artist and designer Miriama Grace Smith.

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Jason Muir got creative with hair as part of a TV3 story.

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Tim Barlow was off to Cannons Creek to set up his Just in Time Quick Response Community Centre.

Tim Barlow and his Community centre

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JIT can be delivered for urgent local requests for community meetings, it is intended as an emergency community space. Here are TEZA crew helping, the lovely Amanda Joe (Titahi Bay) and Paula MacEwan (Cannon’s Creek).

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Barry Thomas, Sophie Jolley and Mark popped by for an introductory lime render making workshop for Tim’s head (made from Trash Palace polystyrene).

Back in the CBD it was blessing time at the Strong Pacific Families space, where Tokelau are hosting activites and art all week. Pictured Moses Viliamu from TEZA with Seanoa Faraimo.

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At the Porirua People’s Library Lana Lopesi was interviewed by Pip Adam, preparing for her Made Up Times project on Tuesday.

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The Porirua People’s Library‘s daily poster project ran by Lana and Faith was full of creativity.

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The evening Creative Summit session talked to the big question “Who are we to intervene?” Environmental movements and human agency were the hot topic.

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Presenters included Mark Harvey (left) and visiting Thai artist Sutthirat Supaparinya.

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TEZA 2015, Transmission

Response #2: Lana Lopesi

Image: Andrew Matautia

Who is it for?

Lana Lopesi

Porirua was one of a number of places my dad lived during his childhood. He lived in a state house on Warspite Ave going to Cannons Creek School. His memory of Porirua is waiting for my Grandfather to beat up my Grandmother then going on the bus back up to Auckland, till a week later they would be back in Porirua again, waiting for the cycle to re-start, eventually settling in West Auckland.

Driving past patched members on the way to the Waitangirua Market on Saturday morning to see the Bread Makers of Porirua, Unite by Simon Gray stall, I can’t help but think what we as TEZA know about the varied Porirua lived experiences. Regardless of my Dad’s connection to this place, I am in no way local and neither is TEZA.

TEZA without a doubt is well intentioned, conscious of their positions as outsiders. As Mark Amery recently wrote, “… who are we as outsiders to come in and make the space? The reality is that it’s precisely because we don’t come from one local agenda or group that we have the ability to at least trial opening out new common ground for the wild flowers to spring up in.” But I still can’t help but feel like a cultural tourist reflecting on stereotyped references of the community and to movies like The Dark Horse, waiting to see how the community will react to these various projects across the city. I wonder though if we did have a shared local agenda maybe we would know more about what the community wants and needs (or if they want us at all), rather than designing projects based on our own assumptions, subsequently looking for community buy-in.

Bread Makers of Porirua, Unite by Simon could be a model for community art making in a suburb other than your own. Rather than waiting for TEZA week to get the ball rolling, in a way this week is just another week with other outcomes. Simon put together sourdough starter packs with locally sourced ingredients which he has already distributed all over the city.

The markets are full of roti wraps, like curry but in wrap form. Genius! I sat down to eat my brunch and was joined by a beautiful couple who insisted I try their dumplings. In their hand was a flyer for Paula MacEwan’s The Active Citizens Funeral (who also runs Koha Shed Cannons Creek). So there I was, staring at this woman’s moko kauai, eating dinner for breakfast, brainstorming how we would like to go. Death, a strangely unifying and comforting subject.

Faith Wilson (collaborator for the Porirua People’s Library) and I were heading for the Oasis Community Centre a space right in Mall where you can have tea, a sit down and a chat they also offer services like helping to write your CV. It was good relational aesthetics without trying. On our way in, we bumped into Katarina who was giving us a flyer for that same space. Holding a TEZA programme she asked if we were involved, going on to tell us that Simon dropped a sourdough starter kit to her house a couple of weeks ago. When we walked in, our brunch dates were already sitting there. More women followed, insisting we eat their panikeke. The breaking of bread in Porirua is already happening. There was a wealth of hospitality, generosity and no expectation for your time or your conversations, but more just a fixed safe space, whether you wanted it or not.

The first TEZA Creative Summit was at Te Rito Gardens (after a tour of the Porirua Hospital Museum and gardens themselves). And again there was Simon who had made his bread into Pizza. I have to confess I don’t know anything about gardening and very little about mental health. We are all so polite, a critical and open discussion between 25ish strangers is a hard thing to ask. Wiremu Grace talked about how the land itself was once stolen and is currently being sold back to Ngāti Toa but the general conversation revolved around mental health, the role of safe places, providing people with purpose, and rongoā. With an autistic brother I couldn’t help but wonder who are we to decide what an individual’s purpose is, and is it appropriate to talking about people and not with people.

A quick rush back to the TEZA hub and voila the project was launched. And yet again there Simon was with even more bread, quickly followed by karaoke, chop suey and punch, thanks to the Kava Club.

I’m new to Chop Suey Hui and this deluxe edition was something special. While slightly under populated, the hosting was on fire. The night opened with a local rapper and ended with a local DJ, both played with conviction, I was into it.

I’m already booked in for a new do at the All-Good? Pop up Hair Salon and the space that’s been created for artists all with social interests is beyond valuable. During the project presentations Kerry Ann Lee (also of the Porirua People’s Library) asked the audience how many of them work and live in Porirua, about 10 hands went up. Again that raised the flag are we talking about the community and not with it? I just wonder when we vacate our temporary space and go back to our day jobs who will it all have been for.

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TEZA 2015, Transmission

Day Two TEZA Images: Active Citizen’s Funeral, Sharemart and Lomilomi Workshop

Images: Linda Lee and Cassidy Browne

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Sunday was a sunny, more relaxed and less jam-packed TEZA day before the big week. Paula MacEwan ran her fourth Active Citizen’s Funeral discussion down at the TEZA Hub

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People offered practical solutions in preparing for funerals and how to deal with death

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Sharemart is really starting to gain a community in Hartham Place with lots of people working in the space doing repairs to their clothing and looking to upcycle old NZ Post uniforms. A Porirua Guardians uniform (the lovely people who patrol the streets) was even repaired. A visitor Queenie has been working hard for two days straight remaking three blazers for her and her daughters.

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Kawika Aipa taught the basics of traditional Hawai’i healing and massage practice in the TEZA Hub for his Lomilomi workshop as part of Mai ngā kôrero ô neherā, e hui pālua.

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We can’t wait to share with you Monday…

 

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Programme, TEZA 2015

TEZA What’s On: Friday 27 November

All events are free and open to the public to participate.

9am – 9pm (TEZA Hub, 10 Lydney Place South). Pop in anytime to get involved and have a cuppa.

8.30am – 3pm (Titahi Bay School). Ako Ako: A Role Swapping Adventure: Artist Ash Holwell will spend the day in Room 19 where the class is keen as mustard to show the new kid the ropes. Highlights of the day include learning about the rocky shore and how to tell the time, and the popular P.E. session. Ash will have to practice KURA (Kindness, Unity, Respect and Achieve) to keep up with his classmates.

Room 19 students Taylin Timu and Ari McIver (and Ari’s mum) will spend the day at TEZA and take part in the activities.

*An earlier arrangement with a high school fell through but student Nicole Johanson will proceed to spend the afternoon working with All Good! Conversations with Hairdressers to create her own pop-up hair salon. It’s a great opportunity for Nicole to be empowered to follow a dream in the Transitional Economic Zone.

10am – 12pm (Pataka Museum). Porirua Peoples Library presents a special graphic art workshop run by Sarah Maxey – create alternative typographic signage for Porirua Library!  In the education art studio at Pataka.

10am – 3pm (Selected venues around Porirua). The Mobile Zine Table: This is a snapshot of Porirua in one day via zine-making, tea and conversation. People’s Library will pop-up in selected locations around Porirua to make available pens and paper for people to write, draw and share ideas.

Titahi Bay shops 10am – 11am

Outside the TAB in Hartham Place 11:15am – 12 noon

Cannons Creek library 12:30am – 1.30pm

Waitangirua Park  1:40 – 3pm

10am – 12pm (TEZA Hub):  Volunteer Refinery with Mark Harvey. Come explore what it means to volunteer. Join Mark Harvey to explore what it means to be a volunteer. Prepare to have fun with a range of actions in and around constructing a ‘volunteer refinery’.

12pm – 2pm (TEZA Hub). Creative Summit: Creating local art space. What sort of spaces do Porirua artists need? How should the artist and community meet? Includes Toi Wahine, Porirua Community Arts Council, Robbie Whyte, Briar Munro, Katie Duke, Pippa Sanderson and Leanna Leiataua. BYO lunch.

10am – 4pm (Hartham Place). Sharemart: A clothing store and art project with a difference. Come see how members of the Colombian refugee community have refashioned old NZ Post uniforms into beautiful new items and have a go yourself. Bring clothing for mending, re-purposing, styling or swapping.

4pm – 9pm Titahi Bay Boatshed Festival: Celebrating the diversity of people, atmosphere and landscape of the bay. With the support of shed owners, we will be opening as many sheds as possible to create a festival reminiscent of old time classic Titahi Bay celebrations.  Titahi Bay lacks a community centre so for this afternoon the boatsheds and the beach will become the Titahi Bay peoples’ place. There will be musicians and artists, free fish and chips and Titahi Bay sourdough loaf, and old school games. We’re hoping to revive the north-end vs south end tug-o-war too! The highlight of the evening will be the surf club IRB demonstrations around 6pm.

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